PARIS ATTRACTION: MODERNIST EXPERIMENTS IN MIGRATION (ES3043)

Explores the work of Anglo-American modernist writers in Paris, concentrating on the works of Ernest Hemingway, Wyndham Lewis, Gertrude Stein, Djuna Barnes, Jean Rhys, and other writers. Relates their formal experimentation to the visual arts and to the psychic dynamics of exile: the experience of liberation from the constraints of one culture and an alienated relation to the new environment.

MODERN FILMS & THEIR MEANINGS (FM1010)

How does the unique language of cinema make meaning and convey emotions? This course provides multiple answers to that question by introducing the formal characteristics of film and enables the students to acquire the key vocabulary necessary to critically describe, analyse and interpret contemporary cinema. Each week, classes will focus on a foundational concept, ranging from principles of narration to different components of film style, and from why cinema matters to issues of spectatorship. Throughout the course, students will encounter a wide array of feature films from different genres around the globe. Students will also have the opportunity to practise close textual analysis through
assignments, and during class discussions delve deep into interpreting the dramatic functions of elements of style in the context of a single film.
Students are expected to participate in these activities in order to build their confidence and command over technical terminology, and work towards attaining their own carefully reasoned interpretations of film texts. In addition, students will learn about Parisian film culture and different approaches to film criticism through lectures and assignments.

PRINCIPLES OF VIDEO PRODUCTION (FM1019)

This course is designed to give you strong technical and conceptual skills in video production. This course will prepare you for future video work in film, journalism, media and communications, studio art, and can be useful across many other disciplines. You will learn to create several complete film and audio projects, each challenging you to explore new skills. Class time will be divided into lectures, screenings, and mostly in-class labs and critique. Homework will consist of readings, writing responses, shooting, editing and screenings.

FIRSTBRIDGE IN FILM STUDIES (FM1099)

Firstbridge courses are offered to degree seeking freshmen and registration is done via webform in pre-arrival checklist.

TOPICS IN FILM STUDIES (FM1910)

Topics vary by semester

FILMMAKING I (FM2007)

This course is designed to give you strong technical and creative abilities in filmmaking. In addition to preparing you for future work in film and video production, students will develop skills that are useful in many other fields, including journalism, media and communications, and studio art. Filmmaking I will also allow you to go on to take more advanced film production courses at AUP. Through group and individual projects, you will become proficient in camera operating, sound recording, and video editing. You will learn to develop a film project from start to finish, including pre-production planning, working collaboratively on set, and the post-production stages of editing, sound mixing, and color grading. Each project will challenge you to explore new skills, techniques, and forms related to documentary, fiction, and experimental filmmaking. Class time will be made up of technical demonstrations, in-class exercises, editing labs, and screenings and discussions. You will regularly use AUP cameras and sound equipment to shoot projects and exercises outside of class.

AUDIOVISUAL CRITICAL PRACTICE (FM2013)

This course explores audiovisual production and video editing, not only as creative tools, but as modes of critical inquiry. It is a highly creative, hands-on course designed for students to reflect critically on their own habits of media production and reception while consolidating their audiovisual skills and digital literacy. Students will develop foundational skills in audiovisual production, from image composition to the principles of montage, video editing, sound mixing, audiovisual remix… With each new skill acquired, students will discover alternative ways of weaving criticality and reflexivity into their media practices. They will use the audiovisual medium to ask questions and produce knowledge on the social, cultural and political issues of our times. Students will be encouraged to create videographic projects shaped by their (inter)disciplinary interests and engage creatively with media linked to their other ongoing courses or final thesis. No filmmaking or editing experience required.

SCREENWRITING FOR TELEVISION (FM2018)

Over the past twenty years, Granada, HBO, and the BBC have been creating series such as The Singing Detective, Cracker, MI5, The Sopranos, and The Wire that are much darker and more persuasive and perverse than anything else on television or on the big screen. Students will examine these 'visual texts,' and will also outline one or two series of their own, working on individual scenes that will be dramatized in class.

THE ART OF SCREENWRITING (FM2028)

In Art of Screenwriting students consider the elements necessary for successful screenwriting practices, with close attention to the theory of screenwriting as influenced by other arts. In particular, a close emphasis of the course is on the art of narrative and the central role played by adaptation of novels in screenwriting practice. Character development, structure, dialogue and conflict are analyzed through exemplary scripting such as in the works of Jane Campion, Roman Polanski and others. The course culminates in a hands-on guided approach to scriptwriting by students.

DOCUMENTARIES IN ACTION: THE ART OF THE REAL (FM2032)

Course divided into theoretical and practical sections. The practical half of the course includes daily exercises in "hands-on" documentary research, scripting, sketching and shooting in the streets of Paris, with small video cameras, producing work that will then be critiqued in class. The theoretical component surveys the history of documentary film and different approaches to making documentaries.