Traces modern continental and Latin American literature from the Molieresque comedy of Moratin to the magical realism of Garcia Marquez. Readings include Spanish authors (fiction by Galdos, Unamuno, Cela, Goytisolo), Spanish-American writers (poetry of Neruda, Paz and tales by Borges, Rulfo), and one Brazilian writer (Clarice Lispector). Conducted in English. Written work accepted in English or Spanish.


DayStart TimeEnd TimeRoom
Tuesday
15:20
16:40
G-L21
Friday
15:20
16:40
G-L21

This course retraces the history of a plant, vitis vinifera vinifera, from its origins in Asia Minor and the Mediterranean basin to contemporary vineyards spread across five continents. This course will focus in detail on the history of world wine industries, winemaking processes, and the wine styles of the world’s major wine producing regions outside of France. The historical readings in the course will serve as context for creative and literary research projects. This course has an accompanying study trip.


DayStart TimeEnd TimeRoom
Wednesday
16:55
19:50
G-002

Examines the major tenets, philosophical perspectives, and critical orientations of literary theory from Plato and Aristotle to the present. Students study critical texts from literary and non-literary disciplines, schools, and voices that have come to impact the Western theoretical canon, including psychoanalysis, Marxism, Russian formalism, structuralism, deconstruction, feminism, queer theory, new historicism, and post-colonialism.


DayStart TimeEnd TimeRoom
Monday
12:10
13:30
G-113
Thursday
12:10
13:30
G-113

Topics vary by semester


DayStart TimeEnd TimeRoom
Monday
15:20
16:40
G-009
Thursday
15:20
16:40
G-009

In this course, students practice writing fiction, creative nonfiction, and poetry while exploring the boundaries between genres. The workshop format includes guided peer critique of sketches, poems, and full-length works presented in class and discussion and analysis of literary models. In Fall, students concentrate on writing techniques. In Spring, the workshop is theme-driven. May be taken twice for credit.


DayStart TimeEnd TimeRoom
Friday
13:45
16:40
SD-2

Workshops a range of professional writing and presentation skills for the cultural sphere (cultural journalism, reviewing, grant applications, creative pitches, page layout). Students collectively produce and maintain a website of cultural activity in Paris. Practical work is placed in cultural and theoretical contexts, including introduction to the publication industry, legal contexts, and cultural studies.


DayStart TimeEnd TimeRoom
Tuesday
13:45
15:05
G-102
Friday
13:45
15:05
G-102

This course is bilingual in nature and outlines the historical and literary contexts of the Renaissance from a Franco-centric perspective. Students will study texts by a range of Renaissance authors (including Erasmus, Rabelais, Marguerite de Navarre, Louise Labé, Montaigne, Marlowe and Shakespeare) while learning about earlymodern book culture, medicine, cartography, religion, colonization, magic, monsters, witchcraft and plagues. They shall also seek to comprehend how France became dominant in language and literature throughout Europe for centuries to follow.


DayStart TimeEnd TimeRoom
Monday
13:45
15:05
G-L22
Thursday
13:45
15:05
G-L22

Reads Joyce's Ulysses in depth, and within modern history and modernist culture. Considers contemporary contexts and the theoretical corpus to which the novel has given rise. Explore relationships between artistic creativity and the imagination of new political and social possibilities.
Taking Joyce's novel as a model, students build intellectual and creative responses to the difficulties and opportunities of late capitalism.


DayStart TimeEnd TimeRoom
Tuesday
12:10
13:30
G-113
Friday
12:10
13:30
G-113

Courses on different topics in the discipline, enriching the present course offerings. These classes are taught by permanent or visiting faculty.


DayStart TimeEnd TimeRoom
Monday
12:10
13:30
G-102
Thursday
12:10
13:30
G-102

Through writing poetry and analyzing examples, students become familiar with poetic forms and techniques. This workshop, led by a publishing writer, includes weekly peer critique of poems written for the course. Students explore what makes a poem moving, evocative, and imbued with a sense of music, no matter what the approach: lyric, narrative, surreal, or experimental.May be taken twice for credit.


DayStart TimeEnd TimeRoom
Wednesday
10:35
13:30
G-102