Uses the unsurpassed richness of the art museums of Paris as the principal teaching resource. The history of Western Art is studied through the close examination of a limited selection of major works in a variety of media. The works chosen illuminate the political, social and religious contexts of Antiquity, the Middle Ages, the Renaissance, the Baroque and Rococo periods, and the modern epoch. The course has an extra course fee of 35 euros.
| Day | Start Time | End Time | Room |
|---|---|---|---|
Thursday | 15:20 | 18:15 | M-L04 |
Uses the unsurpassed richness of the art museums of Paris as the principal teaching resource. The history of Western Art is studied through the close examination of a limited selection of major works in a variety of media. The works chosen illuminate the political, social and religious contexts of Antiquity, the Middle Ages, the Renaissance, the Baroque and Rococo periods, and the modern epoch. The course has an extra course fee of 35 euros.
| Day | Start Time | End Time | Room |
|---|---|---|---|
Thursday | 12:10 | 15:05 | M-L04 |
Continues the study of selected monuments of painting, sculpture, and architecture, from the Renaissance to the 20th-century. Emphasizes historical context, continuity, and critical analysis. Includes direct contact with works of art in Parisian museums. The overall themes of the class may vary by semester.
| Day | Start Time | End Time | Room |
|---|---|---|---|
Monday | 10:35 | 11:55 | M-017 |
Wednesday | 10:35 | 11:55 | M-017 |
Wednesday | 09:00 | 10:20 | VISIT-1 |
Topics vary by semester
| Day | Start Time | End Time | Room |
|---|---|---|---|
Wednesday | 09:00 | 11:55 | C-101 |
Topics vary by semester
| Day | Start Time | End Time | Room |
|---|---|---|---|
Thursday | 09:00 | 11:55 | M-017 |
Firstbridge courses are offered to degree seeking freshmen and registration is done via webform in pre-arrival checklist.
| Day | Start Time | End Time | Room |
|---|---|---|---|
Friday | 10:35 | 11:55 | VISIT-1 |
Wednesday | 12:10 | 13:30 | M-017 |
Friday | 12:10 | 13:30 | M-017 |
Investigates the growth patterns of Paris from Roman times through the Second Empire. Studies major monuments, pivotal points of urban design, and vernacular architecture on site. Presents the general vocabulary of architecture, the history of French architecture and urban planning, as well as a basic knowledge of French history to provide a framework for understanding the development of Paris.
| Day | Start Time | End Time | Room |
|---|---|---|---|
Friday | 15:20 | 16:40 | VISIT-1 |
Tuesday | 13:45 | 15:05 | M-017 |
Friday | 13:45 | 15:05 | M-017 |
Celebrated for the beauty of its architectural past, Paris is also a rapidly changing, dynamic, modern metropolis in the present. From its historical center to newer neighbourhoods at the city's periphery, recent buildings and urban projects have altered Paris and made it the site of significant modern architecture and urbanism. This course introduces the major new monuments and urban designs that characterize the city today. Following a brief historical introduction, the Grand Projects such as the Louvre Pyramid, the Grand Arch and the Bastille Opera, as well as more modest and unassuming structures, will be studied on site. Focussing on the major architectural and urban undertakings of the past few decades, such as museums, libraries, cultural centers, housing projects and public parks, this course explores how the architecture and urban fabric of the past have been reassessed to suit modern materials, tastes and needs. Students will also investigate how international influences have been adapted, adopted, or rejected in the creation of Paris today. Emphasis is placed on the students' grasp of the material, rather than the completion of a chronological survey.
| Day | Start Time | End Time | Room |
|---|---|---|---|
Monday | 15:20 | 16:40 | M-017 |
Thursday | 15:20 | 16:40 | M-017 |
Thursday | 13:45 | 15:05 | VISIT-1 |
This course will survey highlights of the painting, sculpture, architecture,mosaics, tapestries, metalwork, ivories, and stained-glass windows of the Middle Ages in Europe and the Mediterranean. We will proceed in a chronological framework, starting with the beginnings of Christian art, and ending in the late Gothic period. Works of art will be studied in their historical, social, cultural, and religious contexts. Thematically, we will examine continuities and breaks with the classical tradition; the recurring issue of iconoclasm; the rich diversity of materials; the fruitful effects of cross-cultural and interfaith exchanges; and the global context and long afterlife of medieval art.
| Day | Start Time | End Time | Room |
|---|---|---|---|
Friday | 09:00 | 10:20 | VISIT-1 |
Tuesday | 10:35 | 11:55 | M-L04 |
Friday | 10:35 | 11:55 | M-L04 |
This course examines the reverberations and multi-faceted reactions to the reform movements known as the Reformation and the Counter-Reformation, and explores different notions of the Baroque in a global context. We will consider the art and architecture of sixteenth- and seventeenth-century Italy, Spain, the Netherlands, and France, as well as the art of colonial Latin America and East Asia. Key themes and issues of consideration will include the changing role of religious images; heresy and persuasion in art; colonial art and questions of transmission, reproduction and hybridity; the rise of artists' academies and art theory; the development of genre painting; cabinets of curiosity and collecting; and eroticism, artifice and Orientalism in Rococo art and architecture.
| Day | Start Time | End Time | Room |
|---|---|---|---|
Monday | 10:35 | 11:55 | M-L04 |
Thursday | 10:35 | 11:55 | M-L04 |
Thursday | 09:00 | 10:20 | VISIT-1 |