Course Catalog

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PARIS CINEMA (FM3087)

Studies the numerous facets, whether real or imaginary, of the close relationship between Paris and cinema. Analyzes films made by famous directors such as Clair, Carne, Godard, Malle, Rohmer, Polanski, Collard, Kassovitz, and others. Taught in French, essays and exams can be written/ taken in English.

CINEMA AND THE CITY (FM3088)

Examines the intricate relationship between cities and cinema in specific as well as global contexts. Paris, New York, Mexico, Dakar, Cairo, Mumbai, Moscow, Shanghai or Tokyo: how are these sophisticated urban centers portrayed in films? And in turn how is cinema shaped by the rich and multifaceted experiences offered by these metropoles? No prerequisite.

TOPICS IN FILM STUDIES (FM3091)

Courses will be developed from time to time which examine various aspects of film studies, focusing on different problems, phenomena, practices and personalities. These are taught by permanent or visiting faculty, and will be generally specific to their specialization.

JUNIOR SEMINAR (FM3096)

Involves a particularly focused look at an important aspect of film theory or history, a filmmaker, actor or actress, or a cinematic topic or genre. Subjects will vary according to the particular interest of the professor, with the course work aiming at developing methodical and critical skills of analysis.

INTERNSHIP (FM3098)

Internships may be taken for 1 or 4 credits. Students may do more than one internship, but internship credit cannot cumulatively total more than 4 credits.

TOPICS IN FILM STUDIES (FM3910)

Topics vary by semester

INTERNSHIP (FM3980)

Internships may be taken for 0 credits. Students may do more than one internship, but internship credit cannot cumulatively total more than 4 credits.

INTERNSHIP (FM3980)

Internships may be taken for 0 credits. Students may do more than one internship, but internship credit cannot cumulatively total more than 4 credits.

ADVANCED VIDEO PRODUCTION (FM4028)

This course strengthens basic skills acquired in Principles of Video Production, and builds on them to further develop a deep understanding of the end-to-end workflow needed to make a professional film (fiction or nonfiction). Extensive hands-on and practical skill-development will be provided in three distinct areas: (1) pre-production, including idea-development, research, budgeting, pitching, grant-writing, storyboarding, etc; (2) production, covering advanced cinematography, sound recording, lighting, interviewing, directing, etc; (3) post-production, including professional editing workflows, soundtrack development, color correction, etc.