Course Offerings by term

This course surveys the richest and most alluring
period of cinema from its peak following the end of World War II, through the global movements that revitalized its decline, to its subsequent reformation by digital technologies at the turn of the century. It was by no coincidence that cinema was dubbed the art of the 20th century: taking advantage of technological advancements, newer generations of filmmakers reinvented the expressive possibilities of cinema by turning their cameras directly onto social realities and into individual psyches. Each week, the course will explore key developments in international film cultures by situating films within broader social, political, and cultural contexts. The course will also map the influential aesthetic trends,significant critical developments, and fundamental institutional factors that altogether configured cinema as a voice for political comment as well as a medium of entertainment. Through weekly readings and class discussions, students will learn about the irresistible power of international cinemas and the differing national traditions that resisted the ideological and commercial
dominance of Hollywood.

Attempts to understand Hollywood's ambiguous attitude toward women during and after the studio system. What do roles played by women tell us about American culture and its fear of women? Also investigates women's roles in Fellini, Antonioni, Godard, and Truffaut, and the female image presented on the screen by directors such as Jane Campion, Diane Kurys, and Agnes Varda.

The course will help you learn to direct and produce complex, personally expressive short fictions films. We’ll do this through incremental exercises designed to help you explore storytelling structures, staging, expressive frames, working with actors, sound design, crew negotiation and editing. We’ll also learn essentials of producing, press and distribution. Conducted from the director/producer viewpoint, the course challenges students to create a film that matches form with content and develops production skills through all stages of the process. The class is also an immersive creative workshop, incubating everyone’s ideas with support from the group. Some students will direct their own films. Others will produce other students’ short films in lieu of directing their own film. For best results, it is advised that you have already taken Principles of Video Production and at least one Film Studies course.

Courses will be developed from time to time which examine various aspects of film studies, focusing on different problems, phenomena, practices and personalities. These are taught by permanent or visiting faculty, and will be generally specific to their specialization.